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Established in 2004 by its founder, Dwight Rodrigazo, and coauthors, Razel Ann Mitchao and Akira Lydia Abao, the Pulling Technique is rooted in the concept of “Pull,” where dancers explore momentum shifts through the body's resistance against gravity. While the technique may appear visually intuitive and carefree, it emphasizes disciplined training to give dancers true freedom and the ability to express and execute the choreographer's ideas. This training is central to articulation, which is why the training exercises in The Pulling Syllabus are integral to The Project DP’s repertoire. The syllabus combines traditional, technical, and progressive barre and center exercises, providing a comprehensive approach to mastering the technique.

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The PULLING TECHNIQUE
Teachers' Training Program

The Pulling Technique Modern-Contemporary Dance Teachers' Training Program is an 8-day intensive designed for dance teachers and advanced/professional dancers preparing for careers in teaching the 4-Level course (Beginners Level 1-2, Intermediate Level 1-2, Advanced Level 1-2 and Professional Level) of The Pulling Technique. The program covers teaching approaches, methodology, and practical application through peer teaching and internship experiences.

 

This teacher’s course is designed to equip educators with a deep understanding of the technique’s philosophy, physical principles, and pedagogical approaches. Participants will learn how to effectively train dancers using The Pulling Syllabus, emphasizing articulation, discipline, and expressive clarity.

COURSE DESCRIPTION

course objectives

course overview

  By the end of the course, participants will be able to:

  • Understand the core principles of the Pulling Technique, moving with both control and freedom through momentum shifts and not by force.

  • Demonstrate proper execution of barre and center exercises from The Pulling Technique Syllabus.

  • Develop dancers’ articulation, control, and expressive freedom.

  • Apply structured teaching methods for different skill levels.

  • Analyze and correct movement using technique-based feedback.

  • Integrate Pulling Technique into choreography and performance training.

  • Foundations of Pulling Technique

 

  • Body Mechanics and Articulation

 

  • The Pulling Syllabus – Barre Work

 

  • The Pulling Syllabus – Center Work

 

  • Teaching Methodology

 

  • Choreographic Application

 

  • Assessment and Practicum

The PULLING TECHNIQUE Examination Program

This examination program is designed to systematically assess a dancer’s progression in both technical mastery and artistic application, while also cultivating teaching competence aligned with the standards of The Pulling Syllabus and The Project DP’s repertoire.

It provides a progressive and holistic framework that tracks the dancer’s development from foundational understanding to advanced performance and pedagogy. Rather than focusing solely on physical execution, the program emphasizes the integration of concept, movement quality, and intention, ensuring that dancers do not merely replicate steps but embody the core principle of “pull” in a consistent and informed way.

At the technical level, the program evaluates how effectively dancers apply principles such as resistance to gravity, momentum shifts, alignment, and articulation within both structured exercises and dynamic movement phrases. Equal importance is given to movement efficiency and control, allowing dancers to achieve a sense of effortlessness without sacrificing precision.

In terms of artistic application, the program encourages dancers to translate technique into expressive performance, supporting a choreographer’s vision while maintaining clarity and individuality. This includes the ability to adapt the Pulling Technique across different styles, respond to musicality, and explore improvisation grounded in the technique’s principles.

Beyond performance, the program also serves as a pathway for developing future educators. It introduces dancers to essential teaching skills such as class structuring, effective cueing, observation, and correction. By aligning these pedagogical components with the methodology of The Pulling Syllabus, the program ensures consistency in how the technique is transmitted and preserved.

Overall, the examination program functions not only as an assessment tool but also as a developmental guide, preparing dancers to become well-rounded artists, thoughtful movers, and capable teachers within both professional and educational dance settings.

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REQUIREMENTS

requirements for participating schools

To ensure the integrity, consistency, and quality of the examination program, participating dance schools must meet the following requirements:

 

Certified Pulling Technique Teachers:

  • All participating institutions must have at least one Certified Pulling Technique Teacher who has successfully completed the official teacher certification under the Pulling Technique Teachers Course program. This ensures that the methodology, terminology, and principles of “pull” are accurately delivered.

Adherence to The Pulling Syllabus:

  • Schools are required to implement and follow The Pulling Syllabus in their training programs, including prescribed barre and center exercises appropriate to each level.

Standardized Training Delivery:

  • Instruction must reflect the core principles of alignment, articulation, momentum, and resistance, maintaining consistency with the technique’s established pedagogy.

Student Preparation and Eligibility:

  • Schools must ensure that students are adequately prepared and have completed the required level of training hours before being endorsed for examination.

Participation in Faculty Development (Recommended):

  • Teachers are encouraged to attend workshops, mentorship programs, and continuous training to maintain certification and stay aligned with updates in the technique.

Compliance with Examination Guidelines:

  • Schools must follow official examination procedures, including scheduling, documentation, and assessment protocols as set by the governing body of the The Project DP.

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The PULLING TECHNIQUE
National Dance Workshop Series

Designed for intermediate (ages 13–15) to advanced (ages 16 and above) dancers, this four- to six-day workshop offers a structured series of technique classes that deepen understanding of modern-contemporary dance. Participants will enhance their skill, knowledge, and movement vocabulary through focused training and dynamic combinations. The program concludes with a choreographic showcase, allowing dancers to apply and perform their acquired knowledge of The Pulling Technique.

WORKSHOP DETAILS

requirements for participating schools

To allow dancers engage in an in-depth experience, The Pulling Technique National Dance Workshop Series requires a four-to-six-day duration. This enables the participants and the workshop conductors to have a productive and collaborative engagement with each other throughout the process of learning The Pulling Technique.

Contact Us

The Project DP 
PHILIPPINES

 

 dpproject.2015@gmail.com

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​© 2026 by The Project DP.

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